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2006-2007 Workshop Series :
Past Events Index:
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PAST EVENTS MARJiS
Workshop: Re-inventing
Music: Tradition and Change In coordination with the Clarice Smith Center for the Performing Arts and the Music Education Department, University of Maryland College Park, this workshop was centered around a performance of “The Kenny Endo Taiko Ensemble ” in the Clarice Smith Center. We explored the ways in which Japanese music and musical traditions have emerged on the contemporary stage. Participants learned about the history and sound of koto and drum music, obtained instructional materials for integrating music into the classroom, and enjoyed performances of traditional and contemporary music. Please click here for a full-report.
Re-Inventing
Performance: Tradition and Change in Bunraku Puppetry In coordination with the Clarice Smith Center for the Performing Arts and the Music Education Department, University of Maryland College Park, this workshop centered around a performance of “The Hiroshima Maiden,” at the Clarice Smith Center. We explored the ways in which traditional Bunraku puppetry has been adapted to reflect changing historical circumstances and provided teachers with cultural knowledge, activities, and modeled instructional materials focused around Japanese performing arts and the teaching of war in schools. Please click here for a full-report. Barbara
Finkelstein awarded the Order of the Rising Sun, Gold Rays with Rossette Please click
here for
a full-report. AIS Lecture Series March, 2004: The International Center for Transcultural Education Presents “Garifuna Music in the Central American
Nation of Belize” On March 18th, University of Maryland doctoral candidate and Music Ethnomusicologist, Thomas Stanley offered the second lecture in the Africa in the Schools Spring 2004 Lecture Series entitled “Garifuna Music in the Central American Nation of Belize”. The Garinagu are a unique ethnic group embodying a fusion of African and AmerIndian characteristics. Their story is one of migration, adaptation and survival. Their language, Garifuna, is related to languages spoken by indigenous people in the Caribbean at the time of Columbus' incursion into that region. Garifuna music has fueled a cultural revival movement in Belize; elsewhere in Central America where the Garifuna reside; as well as within the sizeable Garifuna diaspora concentrated in urban centers of North America. Mr. Stanley explored the principle Garifuna musical genres (punta and paranda) and their cultural context within contemporary Belizean society. Thomas Stanley is a doctoral student in the Ethnomusicology program of the University of Maryland, College Park. He is the author of George Clinton and P-Funk: An Oral History as well as a body of journalism exploring the music of the African diaspora. His research and advocacy have tended to focus on musical communication in improvised and experimental settings. During the 1990s, Mr. Stanley made three trips to Central America where he documented the music and hybrid culture of the Garinagu. In 2002, Mr. Stanley returned to Belize with the assistance of a David C. Driskell Center travel grant to continue his work with Garifuna musicians. “Teaching African History in Brazilian Schools” On March 30th, visiting Brazilian scholar, Dr. Keila Grinberg,
addressed a group of graduate students, university faculty, and educators
at the third lecture in the Africa in the Schools 2004 Lecture Series
on “Teaching African History in Brazilian Schools”. Dr. Keila Grinberg, a historian of comparative
slavery and emancipation, is Associate Professor of History at the Federal
University of the State of Rio de Janeiro (UNIRIO) and at the Candido
Mendes University and researcher at the African-Asian Studies Center,
at the Candido Mendes University. |
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